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Camac Harps presents…Égérie


A contemporary interpretation of French savoir-faire 

The exceptional sound of 19th-century French harps stems from their construction in curves, bends and arcs. These shapes were made by hand, meaning that harps were only available to the privileged few. The onset of 20th century manufacturing techniques played a vital role in making the harp more accessible, but the machines of the time necessitated straighter lines and a certain simplification of the instrument’s structure.

In the 21st century, technology can now achieve many things that earlier were only possible by hand. Camac has returned to Erard’s curved lines, in the context of modern luthiery.

Camac Égérie The fruit of years of research 

It took fifteen years to perfect these curved structures, and achieve the sound we wanted. This appeared firstly in our Concert Grand harps: the Canopée, the Art Nouveau, and then throughout the top of our range. These instruments soon became the choice of the finest soloists, and orchestras such as the Vienna Philharmonic, the Paris Opera, the Gewandhausorchester, the Bavarian State Opera, and the Deutsche Oper Berlin.

As we fielded the waiting lists for these exceptional harps, we wanted also to offer the nouveau son Camac – the new Camac sound – to the middle part of our range. The Égérie is the embodiment of this democratisation. The harp is available with either a straight or an extended soundboard, and with a beautiful, streamlined aesthetic.

Camac ÉgérieA classic aesthetic for the artists of the future 

“Égérie” means “Muse” in French. We wanted the harp’s aesthetic to speak to all harpists. Every artist studying classical forms today – be they musicians, ballet dancers, visual artists – are the future of great traditions that have been built up over centuries. We were inspired by this for the Égérie’s design, with its accents of Art Deco and Streamline Moderne.

The Art Déco influence is particularly visible in the Égérie’s optional soundboard decoration. It is the most ornate part of the harp – because the soundboard is the heart of the instrument’s sound.

Camac Égérie To discover the Égérie, please contact us in Paris or Mouzeil, or via your Camac distributor. 

Camac Harps
La Richerais BP15
F 44850 Mouzeil
Tel. +
[email protected]

L’Espace Camac de Paris
92, rue Petit – 75019 – Paris
Tel. +
[email protected]


Photos: Vincent Jacques

2 Replies to “Camac Harps presents…Égérie”

  1. Peter says:

    Wow, at last a full size harp at a sensible price point,is the soundboard decoration a free option?
    Are the curvs you talk about inside the harp?
    Looks a really nice simple shape, it won’t age quickly,& are the finishes Matt or semi Matt ?
    Hopefully their will be some videos posted so we can all hear this Amazing sound.

  2. Peter says:

    Can anyone tell me,is there plenty of room at the top of the harp( egerie,straight soundboard)
    For a natural hand position?.
    And dose the harp have a natural balance point? ( ie,not heavy on the shoulder)
    And are the pedals quiet and smooth in action,and are the finishes Matt,or semi Matt,?
    Many thanks

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